We all have been enamored of someone at
some point in our lives. For some of us,
that someone is a movie star. Or, a
writer. Or, an artist.
Josh is an artist. He died as one and lived somewhere
in-between.
He was born in Canada, but
his family moved to the United States where he met another young man who also loved
“scientifiction.”
He devoured, with his friend,
science fiction and fantasy from magazines like Amazing
Stories and Weird Tales.
He co-created the most famous
popular culture icon in the world.
I have been collecting his
creation, on and off, for decades.
I never knew how he "really" looked. Until the advent of the Internet; that
wonderful technology that enables us to connect from any part of the world
within seconds. I had seen photos before
then but he looked sad and burned out in those.
The Net churned out better
photos. His body looked good (sexy
actually), even while dressed, in his youth with eyes widely open and a shy
smile. “Surprisingly handsome” is what a
noted writer and blogger called him when a book about him and other artists
came out.
I like looking at his photos
now and then, imagining talking to a handsome guy, alone somewhere in the
fields, looking at the blue skies and faraway stars, with my head resting on
his chest. This scene goes well with the Irving Berlin song "What'll I Do" (I especially like the rendition of Beatrice Arthur in an episode of the TV series The Golden Girls): "What'll I do with just a photograph to tell my troubles to...."
That’s as far as my fantasy goes. He has been an icon all my life. There seems to be a sanctuary within my moral system that protects my affection from my libido.
That’s as far as my fantasy goes. He has been an icon all my life. There seems to be a sanctuary within my moral system that protects my affection from my libido.
We moved places a number of
times in my youth, in my life. I made sure that not
one of my collected books and magazines got lost in transit. Some still got lost, stolen. Theft, however, can not take away my
affection for writers, artists, and Josh.
I learned that in the 1950s
and the 1960s, he lived a difficult life.
When his creation was shown on Broadway, he went to the theater on nearly each performance. He never saw the musical. He just watched the people come and go. He could not afford a ticket.
At one point, he had to prove
his identity because he was mistaken for a vagrant.
He got married once.
He took care of his mother
while his brother worked.
Years ago, a
collection of his works called “fetish art” was published. He drew these art works when he was at a low point in his life. But then again, as an artist who does what he loves doing, he could be having the time of his life (having his "revenge" against his former employers).
In the 1970s, with the help
of good people, credit for his famous creation was returned to him and his
co-creator.
Josh looked different in old
age. His “old” photos remind me of Peter
Pettigrew, ably played by Timothy Spall.
Peter Pettigrew is also known as Wormtail in the book and the film series Harry Potter.
In comparison with his
co-creator, not much is said about Josh.
Everyone around him would say he was a quiet and gentle guy.
His photos enchant me, not
only because of his great looks in his youth, but because I am reminded of his
lifelong struggle for recognition and his quiet acceptance of his fate. Light is something he always found in the darkness. Through all his pain, nothing in the extant
reveals that he ever maligned anyone.
I can say with confidence that he did not endorse the thrill-seeking crimes that a twisted psychiatrist pinned on his art.
I can say with confidence that he did not endorse the thrill-seeking crimes that a twisted psychiatrist pinned on his art.
He gave birth to the form,
the first appearance, of Superman.
Sometimes, when I look up in the sky, I imagine the stars, Krypton, and
Josh.
===
To Joe Shuster, co-creator of
Superman, with affection
“Contrary to what has been previously assumed, Joe was actually invited to see the show” (180). This refers to the Superman musical in 1966 that earlier sources reported (which I repeated here) Joe had failed to see.
ReplyDeleteReference
Julian Voloj (w), Thomas Campi (a). THE JOE SHUSTER STORY: THE ARTIST BEHIND SUPERMAN. New York: Super Genius, 2018. 180. [The book was published just last month, 15 May 2018.]