In a 1977 magazine interview,1 Mars Ravelo admitted copying Wonder Woman and remodeling her into Darna for Philippine audiences. Even then, Ravelo already made a memory slip. He also credited Supergirl who happened to appear years later after Darna.
The prototype Supergirl first appeared in 1958. The canonical Kara, cousin of Superman, appeared in 1959. Darna predates either one.
In Ravelo’s later interviews (1985-1986), the idea that William Moulton Marston came to the Philippines and ripped off Darna was pitched. Suprema was Ravelo’s initial name for Darna according to the interviews.
For a list of Mars Ravelo’s false memories and confabulations (unintentional lies) and the Supergirl publication history, please see “Heroes and Memories.”2 For the 1928/1932 Diana/Wonder Woman prototype and William Moulton Marston’s whereabouts in the 1930s and 1940s, kindly read “Latin, Law, Suprema, inter Alia.”3 You can verify the data in each article by checking the provided list of references.
The TV series Wonder Woman began in 1975. It was a hit. When Mars Ravelo was interviewed in 1977, Wonder Woman was still on the air and doing very well.
It is common knowledge for comic book fans that Wonder Woman was initially named Suprema, the Wonder Woman, by creator William Moulton Marston, and that Suprema was removed by then editor Sheldon Mayer.
This was not common knowledge before 1975.
In the 1975 DC Convention, Sheldon Mayer sat on the Wonder Woman panel and revealed to the world for the first time that Marston submitted “Suprema, the Wonder Woman,” as the original name, and that he nixed Suprema.4 The word about Suprema got out to the public, in fanzines and niche comic book clubs. I will not underestimate Mars Ravelo’s fanzine savviness and ear for superhero gossip.
It is only in 1995 that the Suprema bit got into mainstream documentation with the appearance of Les Daniels’ book DC Comics: Sixty Years of the World’s Favorite Comic Book Heroes,5 which was sold locally at National Book Store (where I got my copy).
Five years later, Daniels would publish Wonder Woman: The Complete History6 and would mention Sheldon Mayer again.
Jill Lepore’s comprehensive The Secret History of Wonder Woman quotes Les Daniels on page 392, note 17 (of the 2015 edition).7 Lepore cites “Daniels, DC Comics, 58-59.” Pages 58 to 59 refer to Daniels’ DC Comics: Sixty Years of the World’s Favorite Comic Book Heroes, not the 1975 DC Convention Archives. Why did Lepore lump Daniels’ book and the Archives together in a single note? Because Daniels personally interviewed Sheldon Mayer, and the Archives and Daniels reveal Mayer’s involvement with Suprema.
With the Suprema news and Wonder Woman’s popularity in the 1970s, Mars Ravelo kept his ears wide open. He wouldn’t credit Wonder Woman in the 1977 interview if he didn’t.
Our memories are not set in stone. A little bit of information here and there mix with our ardent desires and frustrations, especially in our twilight years. I listed a number of sources you can read about false memories and confabulation in Heroes and Memories, or you can simply search the Net and your friendly neighborhood library.
When Ravelo still had relatively good memory, he was comfortable if people thought his superhero works came from Western ideas. According to Boboy Yonzon, in the book The First One Hundred Years of Philippine Komiks and Cartoons, Ravelo’s contemporary Pablo Gomez inferred that “the Ravelo superheroes were quite not original.”8
Notice how Ravelo’s memories become more and more vividly detailed every time previously unreleased information is uploaded to the Internet. Interesting, isn’t it? I have quoted Elizabeth Loftus regarding false memories and confabulations in Heroes and Memories. This time, I would like to quote renowned artist Salvador Dali:
“The difference between false memories and true ones is the same as for jewels: it is always the false ones that look the most real, the most brilliant.”9
So, that’s how Ravelo came up with Suprema. But, there’s more.
Mayer – Redondo – Ravelo – Suprema – mixing of real and made-up memories
In 1975, DC Comics produced an illustrated version of the Bible.10 This was penned by Sheldon Mayer and illustrated by Nestor Redondo, the very first artist of Darna. Joe Kubert was also credited as artist, but looking at the artwork, that’s all Redondo.
The Bible by Mayer and Redondo is a masterpiece. Nestor Redondo is one of the greatest artists to walk the earth, and it is fitting that he was chosen by DC Comics to illustrate a timeless classic. Look at Redondo’s Darna, available via search engines, and you will know how great art contributed to the popularity of Darna.
Sheldon Mayer spilled the beans on Suprema, and Nestor Redondo happened to be the original visual creator of Darna. Is that fate or what? It feels like an inescapable artistic collaboration between Wonder Woman and Darna.
Mars Ravelo was already a man of means when Nestor Redondo worked for DC Comics. It is not hard to think communications, however intermittent, between Darna writer and artist continued through the years.
Postscripts
Historically, Filipinos were exposed to American superhero comics in the 1940s through soldiers stationed in the Philippines (we were exposed to American comics before then especially comic newspaper strips, but not superhero comics). The superhero genre, brought about by the appearance of Superman in 1938, was relatively young then. After World War II, leftover superhero comics by American military personnel11 became accessible to, and massively popular with, the masses which led to the creation of our own superheroes. Because Superman was virtually unheard of by regular folks in the Philippines pre-1940s, only rich collectors could afford a Superman comic book in 1939, if they’d already (possibly) heard of superheroes by 1939, that is. Mars Ravelo was cash-strapped at the time. The young noble heart of Ravelo would not allow his family to go hungry just to get his hands on an expensive superhero comic book, not the Ravelo I know of.
The Internet is now peppered with the false notion that Darna was conceptualized and created in 1939. Darna first appeared in 1950. Her predecessor Varga first appeared in 1947. Even if Darna were indeed conceptualized in 1939, she would still never predate Wonder Woman.
Let me remind you that in the 1932 novel Venus with Us12 by Marston, the prototypical Diana and Wonder Woman characters were already present, and Marston repurposed names from the novel into the Wonder Woman comics of the 1940s (see Latin, Law, Suprema, inter Alia). Also, Venus with Us is based on Marston’s psychological framework published in 1928.13 Wonder Woman was already Diana in 1937, according to archival work by Trina Robbins.14
How can 1939 predate 1928, 1932, or 1937? It does if we are still in the BC (before Christ) era. But as reality stands, Darna’s timeline begins with Varga in 1947 AD – there is no independently corroborable evidence to prove otherwise.
People readily believe what confirms their biases. I do not see why we should not be proud of a copy when it is as good, if not better, than the original.
National pride should not get in the way of the truth, and the truth is:
Mars Ravelo did not give Wonder Woman a template.
William Moulton Marston had twirled Wonder Woman’s core concepts and psychological themes12, 13 into action long before the appearance of Darna, and well before the phenomenal success of Superman that birthed the modern superhero genre.
NOTES
1Bill Davidson. “Mass Culture.” TV Times 13-19 Mar. 1977. Excerpt rpt. in @ffv. “In Appreciation of Mars Ravelo.” Star For All Seasons. WordPress.com, 9 Oct. 2013. Web. 6 Aug. 2026. <https://starforallseasons.com/2013/10/09/in-appreciation-of-mars-ravelo/>.
In “Heroes and Memories,” I originally cited this as:
Bill Davidson. “Mass Culture.” TV Times 13-19 Mar. 1977. Excerpt rpt. in Star For All Seasons. Web. 20 July 2016. <starforallseasons.com/tag/ging-1964/>.
2Robert Baytan. “Heroes and Memories.” 4 Aug. 2016. Web. <https://robertbaytan.blogspot.com/2016/08/heroes-and-memories.html>.
3Robert Baytan. “Latin, Law, Suprema, inter Alia.” 15 April 2021. Web. <https://robertbaytan.blogspot.com/2021/04/latin-law-suprema-inter-alia.html>.
4Sheldon Mayer. “Wonder Woman Panel.” 1975 DC Convention. DC Comics Archives, New York. Transcript.
5Les Daniels. DC Comics: Sixty Years of the World’s Favorite Comic Book Heroes. New York: Bulfinch Press, 1995.
6Les Daniels. Wonder Woman: The Complete History, the Life and Times of the Amazon Princess. San Francisco: Chronicle Books, 2000.
7Jill Lepore. The Secret History of Wonder Woman. New York: Vintage Books, 2015.
8John A. Lent, Boboy Yonzon, et al. The First One Hundred Years of Philippine Komiks and Cartoons. Tagaytay City: Yonzon Associates, 2009. p. 110.
9Salvador Dali. The Secret Life of Salvador Dali. Trans. Haakon M. Chevalier. 1942. New York: Dover Publications, 1993. p. 38.
10Sheldon Mayer. The Bible. Illus. Nestor Redondo and Joe Kubert. New York: DC Comics, 2012. Rpt. of Sheldon Mayer. The Bible. Illus. Nestor Redondo and Joe Kubert. New York: DC Comics, 1975. Limited Collectors’ Edition C-36.
11John A. Lent. “Introduction.” Transnationalism in East and Southeast Asian Comics Art. Ed. John A. Lent, Wendy Siuyi Wong, and Benjamin Wai-ming Ng. Cham: Palgrave Macmillan, 2022. p. 3.
12William Marston. The Private Life of Julius Caesar (Venus with Us). New York: Universal Publishing, 1953. Rpt. of Venus with Us: A Tale of the Caesar. New York: Sears Publishing Co., 1932.
13William Moulton Marston. Emotions of Normal People. New York: Harcourt, Brace and Company, 1928.
14Trina Robbins. The Great Women Superheroes. Northampton, MA: Kitchen Sink Press, 1996. pp. 3-4.





