I occasionally
talk about superheroes with my homosexual friends and one of them would tease
me with a question: Where did Wonder Woman creator get Suprema? It’s a rhetorical question since he knows the
answer, but he likes to ask nonetheless.
Wonder Woman, the
world’s first successful female superhero, was initially named Suprema, the
Wonder Woman. Suprema was edited out (apparently), and the rest is herstory.
So, where did
William Moulton Marston (Wonder Woman creator) get Suprema?
The short answer
is: Latin, law, and his belief in the supremacy of women over men especially in
matters of the heart.
Law and Latin
Marston is well-versed in the Classics – Greek and Latin.
“The foundation of
learning law is the usage of Latin - Latin phrases are commonly used in the
legal world, and it pays to know them by heart.”1
Marston is a
lawyer, and law is a profession intimate with the ancient language.
Apart from Greek and Latin, he knew German because proficiency in the
German language was a requirement for admission to the PhD program in
psychology at Harvard University during his time.2
suprema is a Latin word that means highest, greatest, etc. It is a superlative adjective. Latin words are not capitalized except proper
nouns.
Let us learn some Latin words.
When an adjective
is used as a noun, it is called a substantive adjective.
The case endings
(-us -a -um and other adjective endings) indicate whether the adjective is male
(e.g., masculine -us ending), female (feminine -a ending) or a thing (neuter -um
ending). In such cases, we supply a word
like man/men, woman/women or thing/things
in our translation. Note that the
singular feminine and the plural neuter have the same -a ending.
masculine feminine neuter
singular -us -a -um
plural -i -ae -a
laetus -a -um happy
laetus as a noun
(substantive):
laetus happy man
laeta happy
woman
laetum happy
thing
laeti happy
men
laetae happy women
laeta happy
things
supremus -a -um supreme,
highest, greatest, most super
formosus -a -um handsome,
beautiful
candidus -a -um bright,
clear, spotless
maximus -a -um largest,
biggest
minimus -a -um smallest,
least
mirus -a -um wonderful,
amazing, remarkable
albus -a -um white,
fair, pale
rectus -a -um right,
proper, honest
supremus supreme man
suprema supreme woman
supremum supreme thing
supremi supreme men
supremae supreme women
suprema supreme things
formosus handsome man
formosa beautiful woman
formosum handsome/beautiful thing
formosi handsome men
formosae beautiful women
formosa handsome/beautiful things
candidus spotless man
candida spotless woman
candidum spotless thing
candidi spotless men
candidae spotless women
candida spotless things
maximus largest man
maxima largest woman
maximum largest thing
maximi largest men
maximae largest women
maxima largest things
minimus smallest man
minima smallest woman
minimum smallest thing
minimi smallest men
minimae smallest women
minima smallest things
mirus wonderful man
mira wonderful woman
mirum wonderful thing
miri wonderful men
mirae wonderful women
mira wonderful things
albus white man
alba white woman
album white thing
albi white men
albae white women
alba white things
rectus honest man
recta honest woman
rectum right thing
recti honest men
rectae honest women
recta right things
Popular culture
has produced the greatest women and men with feats beyond those of mere
mortals.
The appearance of
a skyscraper-bounding supremus (Superman) in 1938 launched the comic
book industry into the gazillion-dollar business that it is today. Earlier known as Diana in 1937 and finally
appearing in comics in 1941,3 Wonder Woman is the original suprema
of comic book fandom.
suprema is usually used in the legal profession in
reference to the supremacy of the law.
You will be hard-pressed to find a law graduate who is not familiar with
“salus populi suprema lex esto” (de legibus 3.3.8). The statement means “The welfare of the
people shall be the supreme law.”
The Spanish, and
Filipino, word supremo is derived from the Latin supremus, just
as superheroes with similar abilities and appearances that appeared after
Superman’s and Wonder Woman’s introductions are derived from Superman and
Wonder Woman.
supremus,
suprema or supremum also
means other things and is commonly an idiomatic and legal expression attached
to other words:
supremus dies
literal
translation last day
meaning day of one’s funeral
suprema hora
literal last
hour
meaning death
Both supremus
dies and suprema hora mean the moment of death.
suprema dona
literal last
gifts
meaning funeral
rites, offerings
supremum supplicium
literal greatest
punishment
meaning death
penalty
Candida
albicans is the scientific
name of a common fungus that inhabits the human body. It is a normal part of our microbial
makeup. It manifests as a disease when
the body weakens for one reason or another.
Otherwise, it feeds off the body’s resources without consequence. Candida is so named because its gross
appearance on a growth medium looks bright and white like this:
albicans is a Latin participle that means being
white.
adjective rectus
-a -um right, proper, honest
e.g. rectus
proper man
recta honest woman
rectum right thing
noun rectum
-i (neuter) virtue
As you can see, rectum
is not only a neuter adjective but is also a neuter noun that means virtue. Whether used as an adjective or a noun, the
meaning of rectum is positively notable. Can we call a person who likes rectum or
recta virtuous?
I do not wish to
post a photograph of the actual appearance of the human rectum.
For lawyers like
Marston, suprema – with its supreme variants – refers to legal
matters, among other things. For doctors
(physicians), candida refers to a fungal infection and rectum to
something sticky.
Knowing the
Classics also means Marston was aware of how ancient men of renown portrayed
women as unworthy beings whose place is beneath that of men. Cato the Elder has this to say about women:
“Woman is a violent and uncontrolled animal, and it is no good giving
her the reins and expecting her not to kick over the traces. No, you have got
to keep the reins firmly in your own hands…
What they want is complete freedom—or, not to mince
words, complete licence… Suppose you
allow them to acquire or to extort one right after another, and in the end to
achieve complete equality with men, do you think you will find them bearable?
Nonsense. Once they have achieved equality, they will be your masters” (Livy
34.2-3 [Balsdon 34]).
In Marston’s
world, women are indeed the masters, but they are not violent like uncontrolled
animals; they are able leaders who create order, while men threaten peace.
Supremacy of
women
Marston’s DISC
theory was introduced in his 1928 book Emotions of Normal People. The DISC theory is still in use today.
DISC stands for dominance,
inducement, submission, and compliance.
These factors determine a personality type.
A positive force for good induces submission without resorting to
violence. Wonder Woman’s kindness
induces people to submit to her loving authority, just as she and the Amazons
submit to their goddesses (Aphrodite and Athena). Women, in Marston’s view, make good love
leaders.
Wonder Woman’s and the Amazons’ bracelets, called the bracelets of
submission, symbolize their loving submission to Aphrodite. In Wonder
Woman #1 (Summer 1942), Aphrodite tells Queen Hippolyte to always wear the
bracelets “to teach you the folly of submitting to men’s domination!”4
The lasso is also a symbol of this submission. Queen Hippolyte tells Diana, “The magic lasso
carries Aphrodite’s power to make men and women submit to your will! Whoever you bind with that lasso must obey
you!” (WW #1, Summer 1942).5
That the lasso can compel anyone bound by it to obey (comply) against
their will makes the lasso a dominant force.
Wonder Woman can be forceful (dominant) when she needs to be.
In a much later issue, Wonder Woman #28 (Mar.-Apr. 1948), Queen
Hippolyte says, “The only real happiness for anybody is to be found in
obedience to loving authority.”6 Kindly note that Marston died in 1947, and some
of his works were published posthumously.
Inducing someone to submit through loving authority is better than
compliance gained by dominance.
For more on DISC, see Mara Wood’s “Dominance, Inducement, Submission,
Compliance: Throwing the DISC in Fact and Fiction.”7 Also, check Google for Web sites that offer
personality tests based on the DISC theory.
There are quite a number. Some
offer free assessment. The DISC sites
ask questions and your answers will determine if you are dominant, etc.
The word
“supremacy” appears many times in Emotions of Normal People. Here are a few examples:
“an obstacle to
the girl’s complete supremacy over the opposite sex.”8
“a camaraderie of
supremacy over males.”9
“love supremacy
throughout the entire duration of her love relationship with the male.”10
Wonder Woman is
essentially the personification of the DISC theory and Marston’s BDSM (bondage,
discipline, sadism, masochism) fetish.
But, before Wonder Woman, Marston laid his DISC on a real-life character
through a historical novel: Julius Caesar.
In Marston’s 1932
novel Venus with Us: A Tale of the Caesar, reprinted in 1953 as The
Private Life of Julius Caesar (Venus with Us), Julius Caesar is
characterized as a “super-man whose reserves of strength and power mysteriously
placed him above the reach of pirate daggers.”11
In his unpublished
book written sometime after 1931, Marston also talked about “Men and Supermen.”12
Marston describes
a boy stimulated to “almost superhuman strength and aggressiveness”13
in his 1928 Emotions of Normal People.
“That prefix
‘super’ was everywhere in 1933.”14
Marston was already talking about super stuff by 1928, years before the
appearance of Superman, and likely even before 1928 (considering his track
record).
Venus with Us is filled with chains and whips. Wonder Woman comics in the 1940s were
criticized for their bondage scenes which pale in comparison with those from Venus
with Us. Julius Caesar's ancient Rome, which
operated heavily upon the shoulders of slaves, is the perfect backdrop for
Marston’s bondage rituals.
Julius Caesar declares,
“I have a notion it’s really rather good for people to be compelled to submit
to others.”15 This is very
DISC theory, and a notion repeated often in Wonder Woman comics.
Another curious
commodity in Venus with Us is the persistent presence of golden chains
and leashes. This clearly is a precursor
to Wonder Woman’s golden lasso. Imagine
Wonder Woman binding you with the golden lasso and telling you, “Submit!”
In Sensation
Comics #6 (Jun 1942), Queen Hippolyte instructs her craftswomen to create a
lasso out of her magic girdle which is made of fine chain links. Metala presents the finished product, the
golden lasso, to the queen.16
Metala is also a character in Venus with Us. In the novel, Metala is a Vestal Virgin turned
courtesan.
In Venus with
Us, Marston calls hunter women as “Dianas”17 and tenacious women
“Amazon.”18 With this, and a
penchant for the Classics, it is not suprising that Marston started calling the
future Wonder Woman “Diana” by 1937.3
Another thing of
note in this “chains and whips” novel: a headstrong brunette (Gaia) and her
love interest (Lugo Pompeius), a blue-eyed blond man. These two are precursors of Diana Prince and
Steve Trevor. Marston likes to assign
hair color to his characters, brunettes being the strong ones (like Wonder
Woman).
Why Suprema,
the Wonder Woman? Why not just Suprema
or just Wonder Woman?
Suprema, the
Wonder Woman was named along the lines of Robin, the Boy Wonder; Roy, the
Super-Boy; Sheena, Queen of the Jungle; Wambi, the Jungle Boy; Amazona, the
Mighty Woman, et al. This naming
convention was common in the golden age of comics. Sheena, Wambi and Amazona, in particular, were
closer to Marston’s home.
Sheena, Wambi and
Amazona were characters featured by Fiction House, a publishing company where
Olive Byrne’s brother, Jack Byrne, was editor.19 Olive Byrne is Marston’s former student who
became his lifelong partner and the inspiration for Wonder Woman’s bracelets
(Olive Byrne wore bracelets).
Is the magic
lasso a lie detector?
No.
The lasso is originally a lasso of compulsion but can also be used to
extract the truth. However, it is now
considered as Marston’s symbol for the lie detector.
In Wonder Woman #2 (Fall 1942), Wonder Woman tells Bost, a
villain, “You are bound by my magic lasso and must obey me! Tell me everything – the whole truth!”20
In Wonder Woman #3 (Feb.-Mar. 1943), Wonder Woman uses a brain
wave detector to extract the truth about the whereabouts of Baroness Paula von
Gunther from the girls on Reform Island.21
In Wonder Woman #4 (Apr.-May 1943), Diana Prince, with Steve
Trevor, uses a lie detector on Elva Dove, an army intelligence clerk Diana
caught reading confidential papers.22
In Sensation Comics #3 (Mar. 1942), Diana Prince uses a blood
pressure apparatus to detect if Lila Brown, Steve Trevor’s secretary, is lying.23
In Sensation Comics #20 (Aug. 1943), Diana Prince gives Jane Gray
a lie detector test. On the following
page, Diana tells Jane, “I shall make you tell the truth – while bound with
this golden rope you must obey me!”24 Diana is in her military uniform, not in her
star-spangled Wonder Woman outfit, when she binds Jane with the lasso.
If the lasso is a lie detector, why use a separate lie detector instead
of just the lasso?
The magic lasso is the golden chain in Venus with Us. It is the golden chain in Hippolyte’s girdle. It is the golden chain in Marston’s BDSM
dreams. It just so happens it can
extract the truth out of a liar.
Did Marston
originally envision a man as his superhero?
The canon of
comic-book history reveals Marston was spurred by his wife Elizabeth Holloway
to create a woman superhero instead of a man.
I shall never contest that. I
doubt very much though that Marston even thought of creating a male superhero
in his meetings with publisher Maxwell Charles Gaines or consultations with his
wife Sadie (Elizabeth).
Sadie reads Sappho
in Greek.25 She is also a
lawyer and a psychologist who helped Marston with his research.
“Although Elizabeth
is not listed as Marston’s collaborator in his early work, Lamb, Matte (1996),
and others refer directly and indirectly to Elizabeth’s work on her husband’s
deception research. She also appears in a picture taken in his polygraph
laboratory in the 1920s.”26
Marston loved
women who had a hand, a big hand, in the creation of Wonder Woman, and he was
loved by a family of mostly women.
“Marston’s fascination with women began with his mother.”27 He was his mother’s boy.28
Before Wonder
Woman, as mentioned earlier, Marston already took a shot at a “super-man”:
Julius Caesar. Venus with Us did
well enough to merit glaring reviews and a reprint, but did Julius Caesar’s
golden lasso ensnare generations of fans the world over?
Did Marston really invent the lie detector?
Yes and no. The modern polygraph
is not a single person’s creation.
"In 1915, William Marston, a student of Münsterberg, introduced the first 'lie detector'... This laid the
groundwork for many procedures that are in use today.”29 "The first" is arguable. "Laid the groundwork" is correct.
“If the heart of the lie detector is taken to be the discontinuous
technique of recording blood pressure then the credit is Marston’s”30
“The modern
polygraph developed from instruments designed in the United States between 1915
and 1938 by William Marston (also known as the creator of Wonder Woman, whose
magic lasso could make all who were encircled in it tell the truth), John
Larson and Leonarde Keeler, mainly for use in criminal investigation.”31
Marston has been hailed “the ‘father’ of modern polygraphy”32
possibly because he is considered its main proponent, especially for its use in
the courtroom.33
At the homefront
Marston’s mother (Annie Dalton Marston) wrote Marston weekly (which Marston replied to letter after letter)34
and became an honorary member of Marston’s “Sunday Five Club: debating, with
her son and her four grandchildren, the order of the universe”35 Marston dated his diary 24 December 1939 in
documenting this membership.36 The
Club was inaugurated on 23 June 1935.37 In Annie Dalton’s last visit to her son in
1944, she talked about the Club (in a letter sent thereafter) and registered
her desire to try sending a message for the next session.38 Sessions with kids every Sunday for at least
9 years: Marston must have been a devoted father.
Annie Dalton’s
weekly letters to Marston temporarily stopped between 1931 and 1934, and
resumed in 193539 until her death in 1944.
Marston also corresponded with Al Capp, creator of Li’l Abner, in 1939
(one of the letters was dated September 1939).40
In the summer of 1939, the Marston family inaugurated their own family
newspaper called Marston Chronicle.41 Summer in the Philippines usually commences
in March when the temperatures begin to rise.
Summer in the United States generally refers to the months of June,
July, and August.
Marston also continued to write for magazines up to the 1940s even while
writing the adventures of Wonder Woman.
Lepore documents this and even includes new material in the 2015 edition
of her book.42
The World’s Fair
Marston featured his lie detector at the New York World’s Fair and
consulted for the film industry. In
this, he is like his mentor Münsterberg.
Apart from the lie detector, he is also credited for making psychology a
part of popular culture.
“Münsterberg… and his student, William Marston, represented a
‘particular type of public psychologist—a group that would continue to shape
the reputation of psychological knowledge throughout the century’ (Ward 2002,
147), who were, in fact, infamous for popularizing psychology in public
settings. Münsterberg not only wrote
articles for the popular press but also consulted for the film industry and set
up mental testing booths at the Chicago World’s Fair in 1893.”43
“The
popularization of psychology owes much to the concentrated efforts of such
people as Jastrow, Muensterberg [sic], Bruce and Marston and to their ability
to translate existing folk mediations on the mind and self into the new
language of professional psychology.”44
Marston’s son, Pete, helped in setting up the booth at the World’s Fair.45
Marston also met Maxwell Charles Gaines (future Wonder Woman publisher)
at the World’s Fair to talk about comic strips.46 Marston’s meetings with Gaines3, 46
eventually led to the appearance of Wonder Woman in comic books.
The New York World’s Fair opened on 30 April 193947 and
closed on 27 October 194048
Marston’s participation is recorded (Box 1303, Folder 14) in the New
York World’s Fair 1939 and 1940 Incorporated Records.49
Entonces
Now that we have
established the origins of Suprema and the whereabouts of Marston before and after 1939, I wonder what other questions my dear homosexual friend will fabricate
next time. H’m, something kinky perhaps? I can only imagine, and wonder. Cue in the theme song of the 1970s Wonder
Woman TV series starring Lynda Carter.
Notes
1The SS Team. Law Made Easy!
Latin Legal Terms. Version
13.0. SSPRQ Ltd, 2019. Google Play Store,
https://play.google.com/store/apps/details?id=com.ssproductions.legallatin.
2Jill Lepore. The Secret
History of Wonder Woman. New York:
Vintage Books, 2015. p. 59.
3Trina Robbins. The Great Women
Superheroes. Northampton, MA:
Kitchen Sink Press, 1996. pp. 3-4.
4Charles Moulton (w), Harry G. Peter (a).
Wonder Woman #1 (Summer 1942), Wonder Woman Publishing Company
[DC Comics]. p. 5A.
5Moulton, Wonder Woman #1 (Summer 1942) p. 12A.
6Moulton, Wonder Woman #28 (Mar.-Apr. 1948) p. 12-C.
7Mara Wood. “Dominance,
Inducement, Submission, Compliance: Throwing the DISC in Fact and
Fiction.” Wonder Woman Psychology:
Lassoing the Truth. Eds. Travis
Langley and Mara Wood. New York:
Sterling Publishing Co., 2017. pp.
27-39.
8William Moulton Marston. Emotions
of Normal People. New York:
Harcourt, Brace and Company, 1928. p.
266.
9Marston, Emotions p. 268.
10Marston, Emotions p. 396.
11William Marston. The Private
Life of Julius Caesar (Venus with Us).
New York: Universal Publishing, 1953. Rpt. of Venus with Us: A Tale of the
Caesar. New York: Sears Publishing
Co., 1932. p. 60.
12Lepore p. 311.
13Marston, Emotions p. 125.
14Gerard Jones. Men of Tomorrow:
Geeks, Gangsters and the Birth of the Comic Book. New York: Basic Books, 2004. p. 94.
15Marston, Private Life p. 39.
16Charles Moulton (w), Harry G. Peter (a).
Sensation Comics #6 (Jun 1942), J.R. Publishing Co. [DC
Comics]. p. 6.
17Marston, Private Life p. 128.
18Marston, Private Life p. 129.
19Robert Baytan. “Wonder Woman’s
Origins and Other Occurrences.” 5 Feb.
2017. Web. <https://robertbaytan.blogspot.com/2017/02/wonder-womans-origins-and-other.html>.
20Moulton, Wonder Woman #2 (Fall 1942) p. 6C.
21Moulton, Wonder Woman #3 (Feb.-Mar. 1943) p. 4B.
22Moulton, Wonder Woman #4 (Apr.-May 1943) p. 2C.
23Moulton, Sensation Comics #3 (Mar. 1942) p. 4.
24Moulton, Sensation Comics #20 (Aug. 1943) p. 4.
25Lepore p. 22.
26National Research Council. The Polygraph and Lie Detection. Committee to Review the Scientific Evidence
on the Polygraph. Division of Behavioral
and Social Sciences and Education.
Washington, DC: The National
Academies Press, 2003. p. 292.
27Lepore p. 304.
28Lepore p. 302.
29David Canter. Forensic Psychology for Dummies. West Sussex, England: John Wiley & Sons,
Ltd, 2012. p. 19.
30Geoffrey C. Bunn. The Truth Machine: A Social History of the
Lie Detector. Baltimore, MD: The
Johns Hopkins University Press, 2012. p.
132.
31Don Grubin. “Polygraphy.” The
Cambridge Handbook of Forensic Psychology.
New York: Cambridge University Press, 2010. p. 276.
32William G. Iacono and Christopher J. Patrick. “Employing Polygraph Assessment.” The
Handbook of Forensic Psychology. 4th
ed. Eds. Irving B. Weiner and Randy K.
Otto. Hoboken, NJ: Wiley, 2013. p. 647.
33Iacono and Patrick pp. 647-648.
34Lepore p. 304.
35Lepore p. 310.
36Lepore p. 415.
37Lepore p. 176.
38Lepore p. 316.
39Lepore p. 309.
40Lepore pp. 415-416.
41Lepore p. 177.
42Lepore pp. 299-321, 413-416.
43Melissa M. Littlefield. The Lying Brain: Lie Detection in Science
and Science Fiction. Ann Arbor, MI:
The University of Michigan Press, 2011.
p. 25.
44Steven C.
Ward. Modernizing the Mind: Psychological Knowledge and the Remaking of
Society. Westport, CT: Praeger,
2002. p. 154.
45Lepore p. 165.
46Jones p. 352.
47Jessica Weglein, et al. New
York World’s Fair 1939 and 1940 Incorporated Records. New York: The New York Public Library,
Manuscript and Archives Division, 2008.
p. viii.
48Weglein p. ix.
49Weglein p. 428.
Other references
Cicero, de legibus 3.3.8.
Balsdon, John Percy Vyvian Dacre.
Roman Women: Their History and Habits. London: Bodley Head, 1962. p. 34.
Photographs
(in order of appearance)
Brandon Routh/Superman Photograph.
“Five Reasons Brandon Routh Deserved More Credit as Superman.” By Tom Foster. Movies. TVOvermind, 25 Aug. 2017. Web.
Accessed 25 June 2019.
<https://www.tvovermind.com/five-reasons-brandon-routh-deserved-credit-superman/>.
Getty Images. Lynda Carter/Wonder
Woman Photograph. “AOC as Wonder Woman?
DC Comics Not Happy about Rival Publisher’s Illustration: Reports.” By Dom Calicchio. Entertainment. Fox News, 19 May 2019. Web.
Accessed 25 June 2019.
<https://www.foxnews.com/entertainment/aoc-as-wonder-woman-dc-comics-not-happy-about-rival-publishers-illustration-reports>.
CDC/Dr. William Kaplan. Candida
albicans Photograph. “This
Is a Plate Culture of the Fungus Candida albicans, Strain 7H10, Grown at
37°C.” By Public Health Image
Library. Public Domain Picture. Public Domain Files, 2 Dec. 2012. Web.
Accessed 23 June 2019. <http://www.publicdomainfiles.com/show_file.php?id=13544823014279>.
Postscripts
The h in
Latin is not silent, so hora may sound like horror. Latin’s daughter languages like Spanish and
French have the habit of silencing the h. Individual letters in Latin are always
“loud.” Letters in combination, however, may actually have a “muffled sound.” Take the ph for example. The ph
in Latin may be pronounced individually or as f, e.g., Calphurnia.
Calphurnia is the
wife of Julius Caesar at the time of his assassination. Calphurnia may be pronounced Calp
(and) hurnia so as not to silence the h, or Calfurnia
(sounds like California).
===
I was hoping to
see men get it on sexually with other men while reading Marston’s Wonder Woman
comics and Venus with Us.
None. Nada.
There is a lot of
lesbianism in both fictional worlds. The
female homosexuality in Wonder Woman comics is never declared homosexual or
anything other than “loving submission” play, but the current is there, and the
world endures stirrings within, the little jolts of love mingled with a pinch of lust.
Sexuality as we
know it today is not the same in ancient Rome.
Romans have their own rules. Sex
with other men is generally okay, but “the man” has to be the one penetrating
and not being penetrated.
In Venus with
Us, Marston mentions the Queen of Bithynia in reference to the wife of King
Nicomedes. I had hoped for Marston to
mention Julius Caesar’s alleged dalliance with the king, even just in
passing. Nada.
In recorded
history, though not necessarily reliable history, Roman emperors and people of
note had male lovers. Sulla, Julius
Caesar’s adversary, had an actor named Metrobius for a lover according to
Plutarch. Mark Antony, Caesar’s ally,
had a harem of women and men. He also
cross-dressed according to Cicero.
Emperor Commodus had his own harem of women and men, and cross-dressed
as well. Emperor Elagabalus is now said
to be the first transgender from antiquity.
Neil Gaiman wrote a comic book about Elagabalus titled Being an
Account of the Life and Death of the Emperor Heliogabalus. Two books about Elagabalus stand out because
of archaeological support: (1) The Emperor Elagabalus: Fact or Fiction
by Leonardo de Arrizabalaga y Prado, and (2) The Crimes of Elagabalus by
Martijn Icks.
Hadrian is
arguably the most famous gay emperor. I
like Hadrian likely because of his lover, Antinous of Bithynia. Antinous is hot! Sculptures of Antinous that survive from
antiquity show a truly beautiful young man.
Historically,
Julius Caesar went to Bithynia to seek aid from King Nicomedes. He stayed a little longer than was expected,
so rumors cropped up that something went on between the two. The bit about Caesar going to Bithynia was
mentioned by Marston in Venus with Us but nothing more beyond that. It is impossible for Marston not to know
about the ancient scandal considering his knowledge of the Classics.
A lot of fictional
works have been written about the love affair between Hadrian and Antinous, the
most famous of which is Marguerite Yourcenar’s Memoirs of Hadrian.
Julius Caesar’s
love affairs have been written about as well, but these pertain mostly to
women. Possibly the only one – fan
fiction from Web sites not included – that blatantly discloses Julius Caesar’s
versatility by its very title is the novel Queen Julius Caesar by Martin
Campbell. The title suggests juicy stuff
not found in history books. It gives me
an image of a queen in her royal garb but with the face of Ciaran Hinds as
Julius Caesar. Hinds played Julius
Caesar in the historical drama series Rome so well that it is his face
my memory conjures whenever Caesar is mentioned. Or, is it Marlon
Brando I think of? But Brando played
Mark Antony, not Caesar, in the 1953 film Julius Caesar. Imagine Brando in drag, with a collar attached
to a golden lasso. H’m.
In Emotions of
Normal People, Marston says, “In general, it seems fair to summarize the
passion emotion of the male sex as not evokable by other males, in the absence
of genital organ stimulation” (316).
The statement is fair indeed in the context of the study detailed in the
book.
However, it
appears to me that Marston’s findings regarding women lean towards sexual
fluidity, but genital stimulation is required to evoke “passion emotion” of the
male by another male.
Marston is not
known to be averse to male homosexuality. Marston says,
“There is every reason to believe that erotic relationships would continue
unabated if everybody in the world belonged to the same sex” (qtd. in Lepore 311). There is no corroborable record pointing to him being bisexual. I guess he just never found the time or
interest to include, in Wonder Woman comics or Venus with Us, passions
between men. No golden chain on
reciprocal erections between men for Marston.
The novel was
originally published in 1932 and again, posthumously, in 1953. In the context of American history, Marston’s
publishers would have rejected his novel – or Wonder Woman stories – right away if he included male homosexuality. Female-to-female sex was acceptable;
male-to-male sex was not.
Please note that
the sex scenes in Venus with Us do not graphically describe genitals or
the acts involved in sex like humping, etc.
The scenes mostly involve interaction between masters and slaves, hence
the pervasive chains and whips. The
golden lasso of compulsion shines brightly like a dream. Loving submission
to authority is the vita convivii (life of the party).
I imagine how
Marston conducted his real-life “parties” is reflected in what Caesar tells
Cleopatra in Venus with Us: “I have never yet become intimate with a
woman whom I merely desired and did not love; nor have I ever touched a slave
girl who did not implore me to be kind to her” (207).
As far as “in the
absence of genital organ stimulation” is concerned, I have encountered many men of the sort. These men never got attracted to the same sex and never thought they would ever respond to other men sexually. But as physiology is not ensconced in bigotry and cultural bias, the body responds to touch,
and genital stimulation from women or other men elicits a response, sometimes
of the humongous kind.
To know more about
the colorful, genital lives of the ancient Romans or anyone that trips your
fancy, visit the library of infinite possibilities – Google.
Google is such a
big gossip you’ll find most of what you need, and the ones you don’t need or
even want.